So Sorry, John Mayer…
Not that he cares, but I feel I need to publically apologize to John Mayer for all the years I wasted being angry at him rather than recognizing his musical genius. So here goes–John Mayer, I’m really, really sorry, and to make it up to you, I (or other members of my household) have purchased three of your albums and one book of guitar tabs in addition to adding your songs to constant iPod and car CD player rotation. While I realize that none of these actions elevates me to the level of Superfan, I hope that they have at least shown that I am making a good-faith effort to put whatever enmity there was on my part toward you behind us (“us” being defined in this case as “me”).
My John Mayer hate was, initially, justified. Really. In Spring 2002, I was at the Shakespeare & Co. bookstore on East 23rd in NYC when my attention shifted from browsing the shelves to listening to the album playing over the bookstore’s loudspeakers. And I was really confused, because the voice in the songs sounded like Dave Matthews. But it couldn’t have been Dave Matthews, see, because there’s no way that Dave Matthews in any of his permutations (solo, with Tim Reynolds, or with the Dave Matthews Band) is putting out a new album on me without my knowing about it in advance. It just doesn’t happen (and that restraining order should be arriving in three…two…one…).
So I left the bookstore hurt and confused that one of my musical heroes had snuck out some new tunes when I wasn’t paying attention. Fueled by my disappointment, I scoured the Internet and listened to the radio a little more carefully, eventually discovering that what I’d been hearing in the stacks at Shakespeare & Co. was actually Room for Squares by John Mayer.
And so I immediately began hating John Mayer. I hated him for making me think he was Dave Matthews. End of story.
Or sort of. Anyone who’s taken repeat rides on the roller coaster of human emotion knows that hate doesn’t equal indifference. Hate means you care, while the true opposite of caring is indifference. And I found indifference toward John Mayer damn near impossible, because he was everywhere. He was everywhere like fungus in the woods. A fungus in the woods who writes really catchy songs.
Just as an example, I worked with someone who would often play Heavier Things in our shared office, and when she’d ask if I minded, I’d lie and say “No.” Except that I can now admit that I wasn’t really lying. I’d find myself humming the songs to myself on the bus home, even though I still maintained the public front of being a John Mayer-hater (which should not be confused with being a player-hater, which is something entirely different). When Family Guy–in that episode in which Chris develops a giant zit named Doug who makes him do all sorts of nefarious things–took a swipe at John Mayer (Doug makes Chris spray paint “That’s Enough, John Mayer” on a wall), I laughed pretty hard because that John Mayer was just getting what he deserved, you know. And shortly after that episode aired, one of my students and I went to town on John Mayer for about five minutes at the start of class, telling everyone in the room that “Yeah, he sucks because he’s just a big fat Dave Matthews rip-off and what’s up with that anyway and you know he’s an asshole because he dates all those hot female celebrities”, never mind the fact that the ratio of the hotter the girlfriend, the bigger the asshole doesn’t necessarily hold up under all circumstances (and I should know, seeing as I am a) not really that hot, but b) have still managed to date some pretty spectacular assholes in my time). But mostly, this student and I were just riffing for the benefit of the rest of the class who were all sitting there looking at us like “Who the hell is John Mayer?” (and someone eventually transcended the look to actually ask) because in this particular class, most of the students weren’t aware that any musicians existed who weren’t signed to the Death Row label. A fabulous guitar player wasn’t going to register on their radar screens.
And in time, I started to admit that’s what John Mayer was–a fabulous guitar player. I heard songs from the John Mayer Trio album Try while listening to Pandora.com (having created a radio station that revolved around matches to the Dave Matthews Band, of course) and had to say, as someone who’s a fan of Eric Clapton and Robert Cray and, well, anyone who can play a good blues guitar, that this guy was pretty fucking spectacular. But even so, I wasn’t totally giving in. I kept holding out, despite the fact that my teenaged brother-in-law, a guitar player himself whom I look to as my arbiter of all things currently cool, had judged John Mayer as currently, and continuously, cool. But no–my memories of being tricked at the Shakespeare & Co. were just too strong, too bitter, too deeply ingrained in my psyche for me to admit to anything more than “Yeah. That John Mayer. He’s okay, I guess.”
So I wasn’t totally crumbling, but my resistance was weakening. I was meeting with a faculty member in my little cubicle at work, and he was admiring my Dave Matthews Band tour posters (stop laughing–yes, I really do have DMB tour posters hanging up at work) when he suddenly asked “Hey, have you heard of John Mayer? People keep telling me to check him out” (thus proving that academics are almost always several years behind the general public on the pop culture curve). And I found myself saying “Yeah–he’s the real deal.”
What the hell? Where did that come from? Where was my all-consuming hatred, my righteous indignance at being duped in 2002 by this young upstart (who is, I’ve recently discovered, only six years younger than I am–so either he’s not so young or I’m not so old. I vote for option #2)?
And then this happened (Listen at about the 00.48 mark. And then switch to this version with better audio/video and listen to the rest–it’s incredible, although even I’m willing to admit that The Dave’s voice is a little rough). And any remaining anger melted away and the sky cleared and I finally Learned to Stop Worrying and Just Admit that I Like John Mayer.
My big ol’ case of the likes has been aided and abetted by the fact that my husband has started playing guitar in earnest over the last few years and recently began trying his hand at the John Mayer catalog. And when he starts learning someone’s songs, not only does he start looking for guitar tabs online, but he also buys the albums so he can listen to the songs as they’re supposed to be played. So he bought The Village Sessions and Continuum and listened to them in his car over and over. And over. And since I’m frequently in his car, I also listened to them over and over. And over.
I bought him the tab book for Continuum as a Valentine’s Day present, just so he wouldn’t have to mess with sub-standard tabs online–because I want him to play the songs exactly as they were meant to be played. And two weeks ago, I put the copy of Continuum in my car CD player. And I’m not giving it back voluntarily. If hubby wants it, he can go get it when I’m not looking.
And I’ve also learned that in addition to being a musician, John Mayer has performed stand-up, has written for Esquire, and has maintained four blogs. Four. I can’t even maintain one, obviously. So I should be jealous, but jealousy is futile at this point–the anger is gone. All I can do now is stand back and grudgingly admire the man for having a better writing career than I do.
So, there it is–John Mayer, I’m waving my white flag. I can’t fight anymore. I give up, and I apologize for my behavior. My only hope is that you can forgive me.
And, you know, nothing says forgiveness like some free tickets or backstage passes. I’m just sayin’.

Fantastic Entry.
I agree that I’ve had more or less the same experience, but I just saw him on Letterman tonight, and I still dislike him, but I’ll get back to that.
In the time Mayer has been around, Dave Matthews has gotten less traction in a genre that he personally carved out and made viable, including its singing style. Mayer doesnt just sound like Matthews, he makes ZERO effort to change his phrasing away from Matthews, who found something that worked.
In a comparable vein, I still hate Tori Amos for ripping off Kate Bush and basically inhaling Bush’s entire career, and then spitting out a bunch of pseudo-feminist, pseudo-chill claptrap garbage that had none of the goth or underground sense of Kate Bush nor any of her cool, or, ultimately, her quality. In retrospect, I can listen to Kate Bush, and ignore Tori Amos, but at the time, Amos got huge press and reward while Kate Bush got shoved back down.
Bush was a bit older, and Amos was read-haired and cute. I was not the only one who noticed this happening. I know many Kate Bush fans who were incensed.
Matthews got a lot of full media traction which he earned, and Mayer is legitimately a good singer, writer, and better than usual guitar player, but he still sounds just like Matthews, who has never been at the top of my list anyway, because that style has gone fomr being original in the 90s to an easy-listening cop-out pap for a lame young generation and a doddering lamed-out genX.
If you cant play music at least as hard or original as say the Cure or the Furs, and hopefully you have the balls to go for Zep, Van Halen, Killing Joke, etc early in your career, then what the hell are you doing? Selling music at Starbucks? Blow me. We already had a competent pop-proto-jazz musician, who often played with a smoking hand-working band, and that man was Dave Matthews, not Mayer. As far as his sex life goes, the man roams like a rooster, but plays like a weanie. To me, that makes him a calculator, and music is about talent, inspiration, and blue-collar realness, not another media calculator.
Sorry, I still hate John Mayer. He is better than craprap, and the miscued 80s retread music rife throughout this untalented generation, but he still sucks compared to 500 bands of the past, and quite a few bands of today that are trying to be original or at least, young and ballsy.